She was fortunately not challenged, the hall being empty of the other women, who were engaged precisely in arraying themselves to that dire end. Once in the grounds, she recognized that, with a site, a view that struck the note, set an example to its inmates, Waterbath ought to have been charming. How she herself, with such elements to handle, would have taken the fine hint of nature! Suddenly, at the turn of a walk, she came on a member of the party, a young lady seated on a bench in deep and lonely meditation. She had observed the girl at dinner and afterwards: she was always looking at girls with an apprehensive or speculative reference to her son. Deep in her heart was a conviction that Owen would, in spite of all her spells, marry at last a frump; and this from no evidence that she could have represented as adequate, but simply from her deep uneasiness, her belief that such a special sensibility as her own could have been inflicted on a woman only as a source of anguish. It would be her fate, her discipline, her cross, to have a frump brought hideously home to her. This girl, one of the two Vetches, had no beauty, but Mrs. Gereth, scanning the dullness for a sign of life, had been straightway able to classify such a figure as the least, for the moment, of her afflictions. Fleda Vetch was dressed with an idea, though perhaps with not much else; and that made a bond when there was none other, especially as in this case the idea was real, not imitation. Mrs. Gereth had long ago generalized the truth that the temperament of the frump is amply consistent with a certain usual prettiness. There were five girls in the party, and the prettiness of this one, slim, pale, and black-haired, was less likely than that of the others ever to occasion an exchange of platitudes. The two less developed Brigstocks, daughters of the house, were in particular tiresomely "lovely." A second glance, this morning, at the young lady before her conveyed to Mrs. Gereth the soothing assurance that she also was guiltless of looking hot and fine. They had had no talk as yet, but this was a note that would effectually introduce them if the girl should show herself in the least conscious of their community. She got up from her seat with a smile that but partly dissipated the prostration Mrs. Gereth had recognized in her attitude. The elder woman drew her down again, and for a minute, as they sat together, their eyes met and sent out mutual soundings. "Are you safe? Can I utter it?" each of them said to the other, quickly recognizing, almost proclaiming, their common need to escape. The tremendous fancy, as it came to be called, that Mrs. Gereth was destined to take to Fleda Vetch virtually began with this discovery that the poor child had been moved to flight even more promptly than herself. That the poor child no less quickly perceived how far she could now go was proved by the immense friendliness with which she instantly broke out: "Isn't it too dreadful?" "I never knew how much I cared for them. They're awfully valuable, aren't they?" Owen's manner mystified her; she was conscious of a return of the agitation he had produced in her on that last bewildering day, and she reminded herself that, now she was warned, it would be inexcusable of her to allow him to justify the fear that had dropped on her. "Mother thinks I never took any notice, but I assure you I was awfully proud of everything. Upon my honor, I was proud, Miss Vetch."!

Rather musingly and absently Fleda shook her head. "I don't mind anything." "Am I? Do I strike you so? You know I hate him," Fleda went on.

It was a great relief to the girl at last to perceive that the dreadful move would really be made. What might happen if it shouldn't had been from the first indefinite. It was absurd to pretend that any violence was probable—a tussel, dishevelment, shrieks; yet Fleda had an imagination of a drama, a "great scene," a thing, somehow, of indignity and misery, of wounds inflicted and received, in which indeed, though Mrs. Gereth's presence, with movements and sounds, loomed large to her, Owen remained indistinct and on the whole unaggressive. He wouldn't be there with a cigarette in his teeth, very handsome and insolently quiet: that was only the way he would be in a novel, across whose interesting page some such figure, as she half closed her eyes, seemed to her to walk. Fleda had rather, and indeed with shame, a confused, pitying vision of Mrs. Gereth with her great scene left in a manner on her hands, Mrs. Gereth missing her effect and having to appear merely hot and injured and in the wrong. The symptoms that she would be spared even that spectacle resided not so much, through the chambers of Poynton, in an air of concentration as in the hum of buzzing alternatives. There was no common preparation, but one day, at the turn of a corridor, she found her hostess standing very still, with the hanging hands of an invalid and the active eyes of an adventurer. These eyes appeared to Fleda to meet her own with a strange, dim bravado, and there was a silence, almost awkward, before either of the friends spoke. The girl afterwards thought of the moment as one in which her hostess mutely accused her of an accusation, meeting it, however, at the same time, by a kind of defiant acceptance. Yet it was with mere melancholy candor that Mrs. Gereth at last sighingly exclaimed: "I'm thinking over what I had better take!" Fleda could have embraced her for this virtual promise of a concession, the announcement that she had finally accepted the problem of knocking together a shelter with the small salvage of the wreck. Mrs. Gereth met fully what this conveyed; with decision she pushed in the telegram. But she laid her hand quickly upon another form and with still greater decision wrote another message. "From me, this," she said to Fleda when she had finished: "to catch him possibly at Poynton. Will you read it?" She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful.